How Yuri on Ice’s skate routines match up with the characters
Yuri on Ice offers skate routines that vary in music and style depending on the person performing them, speaking to their personality.
Yuri on ice features skating routines that vary in music and style depending on the individual characters performing. The music itself really helps define the intent of each performance, reflecting or challenging the skater emotionally, technically and personally.
Yuri on ice features a large number of fictional professional figure skaters from around the world competing to be the best in men’s figure skating. Their individual personalities, strengths, technical styles and the messages they attempt to convey on the ice are clearly highlighted in their performances. All the music inside Yuri on ice is specially composed for the anime, dramatically raising the quality of the show itself. Here are some of the more notable performances and how they relate directly to the characters.
Yuri Katsuki and Yuri Plisetsky: Regarding Love – Eros and Agape
âIn Regards to Love: Erosâ and âIn Regards to Love: Agapeâ are both musically chosen and choreographed by Victor Nikiforov. He puts Yuri Katsuki and Yuri Plisetsky in competition for his time and training by having them perform the two short programs. Although the skaters initially think that Katsuki would naturally have been the best choice for “Agape” and “Eros” for Plisetsky, Victor makes them do the opposite.
Katsuki’s personality is initially shown to be shy and defeated, which is reflected in both her manners and her skating. However, his potential shines through when it comes to Victor. With the older Russian skater as a goal and a challenge, Katsuki grows brave and almost recklessly steps out of his comfort zone in an attempt to meet Victor halfway. Katsuki’s challenge with “Eros” is one of sexual desire and passion. The music itself is sultry and confident, and the sound is reminiscent of the combined music of all Romance-speaking countries. This challenge is meant to showcase Katsuki’s ability to fight to stay alive, but it also showcases the love he has for Victor and must have for himself as a person.
Conversely, Plisetsky’s personality is first portrayed as a spoiler and dominant. With Victor’s “Agape” challenge, he is forced to dig deep mentally and emotionally to really find and execute the short program as Victor intended. The music is much slower than its counterpart, delicate, airy and melancholy. The emotional intention that must be reflected in this piece is that of unconditional love. Plisetsky ultimately shows his technical, emotional and personal growth in his final performances of this program. While it may not so vividly reflect Plisetsky’s personality, this challenge aims to showcase his skating and multi-faceted personality, not just what can be seen on the surface.
Jean-Jacques Leroy: Theme of King JJ
âTheme of King JJâ is the featured song in the short program by music-loving Canadian figure skater Jean-Jacques Leroy. JJ is confident, rowdy, and a solid, well-rounded skater with a huge fan base. Although one of the favorites to win, his originally composed song almost sounds like a premonition. The lyrics of the song set very high expectations and declare him king. However, this self-imposed pressure ultimately contributes to his mental implosion within competition.
Christophe Giacometti: addicted
Performed by Christophe Giacometti, “Intoxicated” is probably the clearest representation of a character via music in Yuri on ice. The music itself for the short program is overtly sexual and compelling. The choreography is meant to attract viewers, although Christophe’s true intentions are to pit his sex appeal against Katsuki’s “Eros”. Where Katsuki’s appeal is more innocent, Christophe shows a more mature version, holding back absolutely nothing. The short program reflects not only his personality, but also his challenge to Katsuki and her desire to compete with Victor again, using a sexual performance to try to “seduce” Victor on the ice.
Phichit Chulanont: Shall we skate?
Phichit Chulanont’s choice of âShall We Skate? Because his short program says a lot about him both personally and culturally. He goes down in history by becoming the first Thai figure skater to skate competitively on the song, which is taken from the fictional figure skating film. The king and the skater, which stars a Thai actor (a nod to the actual movie The king and me). Phichit’s choreography, music and costumes directly reflect not only Thailand’s cultural weight but a beautiful tribute to her country. His skating reflects how much the film means to him, as well as his hopes to make the Thai people proud of his performance.
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